Archive for the ‘ontology’ Category

Having defended my dissertation Schelling’s Naturalism: Space, Motion, and the Volition of Thought I’m now in the strange position of looking for an academic job. But, in the meantime, I thought I would give a general update. 1 – Starting the end of this month I’ll be team teaching a course on German Idealism and […]

The initial chatter around Pete Wolfendale’s book generally seemed to fall into two camps. The first being that the text was merely a massive pile of vitriol directed towards OOOers with the second being the question ‘Why would Pete devote so much of his time to a provocation that may well go unanswered?’ Wolfendale addresses […]

Despite the fact that Schelling is a German Idealist or, more broadly, a post-Kantian thinker, there is not (to my knowledge) anything resembling a consensus regarding Schelling’s relation to Kant. Iain Grant sets up the relation as an overtly hostile one (akin to what the Furies do to Orestes) while thinkers such as Arran Garre […]

Some recent publications: An essay on Tombs and Design appeared in the journal Design Ecologies with a preface by science fiction author Peter Watts. Details here. An essay based on a talk on parasitism and Schelling is in the Weaponsing Speculations collection. Details here. My essay version of a talk done in London on Schelling […]

The massiveness of the nuclear is ‘lightened’ only by a catastrophe. The Earth is geophilosophically and geopolitically frustrating because it’s an ongoing nuclear disaster (a great heat engine as James Hutton understood it) but one that is metastable while proving itself the ground of all production whether noetic or material. Whether the collecting of ferrite […]

A few days ago the Emancipation as Navigation Summer school came to an end in Berlin. The event was just short of two weeks and included a range of topics from political theory, to logic, to diagramming the space of sex, to technofeminism, to the history of metaphysics, to Iberian cultures, to space travel, and […]

Jalal Toufic’s recent piece in issue #55 of e-flux titled “A Hitherto Unrecognized Apocalyptic Photographer: The Universe” starts with an interesting problem: is it the case that photographer deceptively freezes the motion of the world while art, at its best, captures the uncapturability of motion as Rodin argues? Toufic writes against Rodin’s assertion about time […]


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