Archive for the ‘art’ Category

It is hard to review a book that you cannot explain or sum up but especially when it is not one that you can explain or sum up by saying you can neither explain it or sum it up. Michael Cisco’s Member is a book that tests the limits of coherency without appearing to do […]

Upcoming Events


For those interested here’s some of the things I’m doing in the next few months: March 22 11:00AM: As part of the ACLA I’m presenting a paper entitled “The Flint of Prometheus” on the relation between Schelling, Marx, and Geology. At NYU (25 W 4th st, room c16). March 22 3:00 PM: I’ll be participating […]

One of things that troubles me about the prometheanism of accelarationism is the relation between one’s materials and the possibility ( to say nothing of the trajectory) of escape. Is it mainly a means of efficent breach – of leaving the ruinous mold of the earth behind after we’ve paid our due, or is it […]

At the Speculative Aesthetics conference back in March, Ray Brassier connected ‘the new accelerationism’ (that which functions in a epistemological-political register rather than, in Land, an ontological-political register) to what he dubbed a Prometheanism. This Prometheanism, following in the wake of Lenin and the Cosmists, puts forth the axiom that revolutionary politics requires rigorous post-capitalist […]

One of the major themes which has crept into my dissertation (largely due to Reza’s influence) is that of space and, by connection, motion. The obvious reason for this is the fascinating work of geometrical-cognitive theorists (Bailly, Longo, Berthoz, Magnani, etc) which argues for geometrical articulations of deep natural processes whether mental, biological, physical or […]

The post was partially inspired by Sarah Marshall‘s piece Beyond Clarice at the Hairpin. I’ve mentioned several times that I have the fantasy of retreating to a cabin somewhere, watching an egregious amount of horror films (though I wonder how many one has to watch as I’ve already seen around 200), and writing a book […]

I am consistently guilty over my lack of knowledge of contemporary art and aesthetics. Particularly in relation to Speculative Realism it seems that artists, curators, and media practitioners of various stripes are far better than philosophers or theorists at addressing art. This seems particularly evident in events such as The Matter of Contradiction (the video […]


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